Wednesday, February 19, 2014

Robocop

The initial notion of an updated "remake" of the 1980's ultraviolent, ultra campy "Robocop" comes off as sacrilege to those of us who hold it in high regard. Having pretty much emptied the closet on horror/slasher remakes from the 70's, early 80's movie studios have their cash grabbing hands set on seminal classics from the 80's/early 90's that hold a special place in film nerds hearts and still hold up incredibly well on DVD/Blu Ray. The original "Robocop" was released in 1987 and directed by Paul Verhoeven who has also seen another of his signature films from this era, "Total Recall" receive the remake treatment recently. The original was at the forefront of the late 80's surge in violence in film and with a straight to the point title like "Robocop" you knew exactly what you were getting, which was a low budget, campy, over the top multi-genre film that spawned a franchise of its own and countless rip offs. The 2014 comes with a lot of pre release buzz, most notably about the change in Robocop's signature silver suit and the change from the hard R rating the original carried to the more monetarily friendly PG-13 rating and 100 million dollar budget featuring state of the art special effects. It was with great caution that I entered the theater to see the new "Robocop", was this going to be yet another Hollywood cash grab that taints everything that I loved about the original or could this be a new vision for a new century?

The essential storyline from the original is still in tact, Detroit police officer Alex Murphy played by Joel Kinnaman from TV's "The Killing" is critically injured while on duty and is transformed by mega corporation OmniCorp into the first human/robot police officer known of course as "Robocop". The story takes place in the year 2028, its a period where machine justice or more commonly known as drone warfare are taking over. With the American public's support waning its decided that this hybrid is the best way to get the support needed to pass legislation to take this new action to full force and make the public less "robophobic". The premise is topical and relevant in today's world with drone warfare still in its infancy stages but the prologue setting up Robocop actually taking action does drag a little.

If the original "Robocop" did not exist this version would be a perfectly above average movie and the advancement in special effects actually does hold it above the original in that regard. Kinnaman's scenes as a human are perfectly fine and once he is actually "Robocop" he does make his own mark in the shoes owned by the original "Robocop" Peter Weller. The PG-13 rating does contradict the originals take on violence by making this an essentially bloodless movie but features countless amounts of guns and weaponry and acts of violence, its a contradiction that is frustrating in that it shows the truth of crime without the harsh realities of the consequence. The story of "Robocop" trying to keep what is left of his human side while still being an effective police officer and family man works for the most part and there are odes to the original in the opening musical score and flashes of the beloved original "Robocop" suit.

The best thing about the new version is the cast which features a surprising array of actors who are having a great deal of fun with the material. Michael Keaton plays the head of OmniCorp and his role shows that he is on the cusp of taking the Alec Baldwin route of switching from one time leading man to great character actor. Gary Oldman plays the scientist who is the Dr. Frankenstein to Robocop and while it isn't apparent if he is actually aware that he is acting a Robocop movie he still is Gary Oldman and delivers a convincing performance. Samuel L. Jackson (not Laurence Fishburne) appears in an extended cameo as a TV show host in the vein of Bill O'Reilly or Rachel Maddow, he does what Samuel L. Jackson does best: yell and use (bleeped) profanity. The special effects are an update and do enhance the overall story and the filmmakers do the correct thing in keeping the CGI fight scenes down to a couple training scenes in the beginning but even those make it seem like you are watching a video game as opposed to a movie. The relationship between Robocop and his wife and young son is an interesting storyline that is kind of thrown to the background when I would of liked to have seen more and then kind of comes back in the end to really no avail.

My overall opinion coming out of the new "Robocop" is indifference. There is nothing necessarily wrong with the new version and if you aren't familiar with the originals I applaud you to go see it, its a fun ride with topical undertones. As was the case with "The Lego Movie" it is known that you can take a known, beloved commodity and make a good, original movie from it. The Robocop's of cinema past should though be held in a higher regard then just having a "we can make it better" mentality. While overall indifferent if they should make a "Robocop 2" I will purchase a ticket, if with maybe a little less apprehension-just a little.

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